Already the evening of his arrival, upon scenes of splendour such as he had known to exist, but never met, Frank Le Mersurier had begun to change. The sun's sinking had dissolved all hardnesses. Darkness, however, had not fallen; it seemed, rather, to well forth, like the beating and throbbing of heart and pulse in the young man's body, to possess the expectant hills. Only the admirable house resisted. Later that night he had gone outside to watch the light from the lamps and candles, with which every window appeared to be filled. Isolation made that rather humble light both moving and desirable. So the days began to explain. Grasses were melting and murmuring. A child laid its cheek against him. The sun, magnificently imperious, was yet a simple circle that allowed him to enter, with the result that he was both blinded and illuminated.
(It's better to create than destroy what's unnecessary)
Monday, June 21, 2010
Voss - pg. 138
Labels: landscapes, Patrick White
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