The simplicity of the clay-coloured landscape was very moving to the German. For a moment everything was distinct. In the foreground some dead trees, restored to life by the absence of hate, were glowing with flesh of rosy light. All life was dependent on the thin lips of light, compressed, yet breathing at the rim of the world.
(It's better to create than destroy what's unnecessary)
Tuesday, July 6, 2010
Voss - pg. 175
Labels: Patrick White
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