Oreste's house had a peeling, reddish terrace, and it overlooked a sea of valleys and ravines bathed in a strong light which hurt your eyes. All morning I had ridden through the plain, a plain which looked familiar to me, and looking out of the train window I had caught sight of hedgegrows, mirrors of water, flocks of geese and meadow expanses that I recognized from my infancy. I was still thinking about these things when we entered between precipitous banks and you had to look up to see the sky. The train stopped beyond a narrow tunnel. I found myself in the heat and dust of the station square, my eyes meeting chalky slopes on all sides. A fat waggon-driver showed me the road; I had a good way to climb, for the village was high up. I threw my bag on the waggon and we went up together, matching the slow pace of the oxen.
(It's better to create than destroy what's unnecessary)
Tuesday, November 13, 2007
The Devil in the Hills - pg. 61
Labels: Cesare Pavese, landscapes
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment