Like all lovers, they had soon assembled (as on a revolving stage) the places where the scenes of their drama alternately took place: a little Ukrainian diner whose windows were always occluded with steam, where the tea was black and so was the bread; the Folding Bedroom of course; a vast gloomy theater encrusted with Egyptian decoration, where the movies were cheap and changed often and played into the morning; the Nite Owl market; the Seventh Saint Bar & Grill.
The great virtue of the Seventh Saint, besides the price of its drinks and its nearness to Old Law Farm, a train stop away, was its wide front windows, nearly floor to ceiling, in which as in a shadow-box or on a movie screen the life of the street outside passed. The Seventh Saint must once have been somewhat splendid, for this glass wall was tinted a rich, expensive brown, which added a further unreality to the scene, and which darkened the interior like dark glasses. It was like being in Plato's cave, Auberon told Sylvie, who listened to him lecture on the subject; or rather watched him talk, fascinated by his strangeness and not paying inordinately close attention to the words.
(It's better to create than destroy what's unnecessary)
Friday, January 11, 2008
Little, Big - pg. 299
Labels: Bar, John Crowley
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment