Thus the distinct boundaries and offices of reason and of taste are easily ascertained. The former conveys the knowledge of truth and falsehood: The latter gives the sentiment of beauty and deformity, vice and virtue. The one discovers objects, as they really stand in nature, without addition or diminution: The other has a productive faculty, and gilding or staining all natural objects with the colours, borrowed from internal sentiment, raises, in a manner, a new creation. Reason, being cool and disengaged, is no motive to action, and directs only the impulse received from appetite of inclination, by showing us the means of attaining happiness or avoiding misery, becomes a motive to action, and is the first spring or impulse to desire and volition.
(It's better to create than destroy what's unnecessary)
Sunday, August 16, 2009
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