They are sitting on benches which the designers, with shameless and perhaps premature knowingness, have made to fit the twice-curved form of the seated body, they are sitting eight in a row, packed tight in a wooden cage, they roll their heads and hear the creaking of wood and the light squeak of rods above the rolling, pounding wheels. Those facing the engine despise the others who are looking back into the past; they are afraid of the draught, and when the door is thrown open they fear that someone might come in and make them look over their shoulders. For the man whose head is turned the wrong way can no longer judge between guilt and atonement, he doubts that two and two make four, doubts that he is is his own mother's child and not a changeling. So even their toes are carefully pointed forward in the direction of the business affairs that are to occupy them. For the occupations they follow bind them together in a community, -- a community that has no power but is full of uncertainty and malice.
(It's better to create than destroy what's unnecessary)
Tuesday, February 23, 2010
The Sleepwalkers - pg. 295
Labels: Hermann Broch
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