Your Face Tomorrow: Poison, Shadow and Farewell - pg. 313

The next room was dominated largely by German art. It contained Durer's famous self-portrait, as well as his 'Adam' and his 'Eve.' However, my eye was caught at once by a long narrow painting I had been familiar with childhood, when, as was only normal, it had shocked and filled me with a degree of fear tinged with curiosity, 'The Three Ages and Death' by Hans Baldung Grien, which, like the two portraits, has its counterpart in another painting of the same format and dimensions next to it, 'Harmony, or The Three Graces.'