The Sleepwalkers - pg. 259

"Police swine," he growled. The wet asphalt shone like a photographic film, dark brown in the light of the yellow lamps, and Esch saw before him the Statue of Liberty whose torch consumed and released all the husks of one's past life, delivering into flame all that was dead and gone -- and if that was murder, it was a kind of murder beyond the jurisdiction of the police: murder in the cause of redemption.

The Sleepwalkers - pg. 256

He read a portion of it every day. At first he had contented himself with the illustrations, and now when he thought of America it seemed to him that the trees there were not green, the meadows not brightly coloured, the sky no longer blue, but that all American life was deployed against a polished and elegant chiaroscuro as in the brownish grey photographs, or against the sharp contours of the delicately limned pen-drawings. Later on, however, he became absorbed in the text. The recurring statistics certainly bored him, but he was too conscientious to skip them and succeeded in learning a good deal by heart.