(It's better to create than destroy what's unnecessary)
Wednesday, September 1, 2010
A Handful Of Dust - Opening
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Labels: Evelyn Waugh, Opening, T. S. Eliot
Wednesday, June 30, 2010
Sunlight on a Broken Column - Opening
Chapter OneThe day my aunt Abida moved from the zenana into the guest-room off the corridor that led to the men's wing of the house, within call of her father's room, we knew Baba Jan had not much longer to live.
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Labels: Anita Desai, Attia Hosain, Opening, T. S. Eliot
Monday, October 8, 2007
The Savage Detectives - pg. 281
And when she left I began to think about Alvaro Damian and the Laura Damian prize, which was finished, and the madmen of El Reposo, where no one has a place to lay his head, and about the month of April, not so much cruel as disastrous, and that's when I knew beyond doubt that everything was about to go from bad to worse.
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Labels: Roberto Bolaño, T. S. Eliot
Thursday, August 23, 2007
Rhapsody on a Windy Night
Twelve o'clock.
Along the reaches of the street
Held in lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precision,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, "Regard that woman
Who hesitates toward you in the light of the door
Which opens like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin."
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street-lamp said,
"Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter."
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could se nothing behind that child's eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
"Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the nocturnal smells
That cross and cross across her brain."
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
'Four o'clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.'
The last twist of the knife.
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Labels: T. S. Eliot
Sunday, August 12, 2007
The Waste Land - Closing
I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?
London bridge is falling down falling down falling down
Poi s'ascose nel foco che gli affina
Quando fiam uti chelidon - O swallow swallow
Le Prince d'Aquitaine a la tour abolie
These fragments I have shored against my ruins
Why then Ile fit you. Hieronymo's mad againe.
Datta. Dayadhvam. Damyata.
Shantih shantih shantih
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Labels: Closing, T. S. Eliot
The Waste Land - V
After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountain
He who was living is now dead
We who were living are now dying
With a little patience
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Labels: T. S. Eliot, Waqar Bashir
Saturday, August 11, 2007
The Waste Land - Opening
Copyright 1930, 1958, 1962, 1964 by T. S. Eliot
April is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Copyright 1934, 1936 by Harcourt Brace Johanovich, Inc.
Published by arrangement with Faber and Faber Ltd.
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Labels: Opening, T. S. Eliot
Saturday, July 28, 2007
from Tradition and the Individual Talent
Tradition is a matter of much wider significance. It cannot be inherited, and if you want it you must obtain it by great labour. It involves, in the first place, the historical sense, which we may call nearly indispensable to anyone who would continue to be a poet beyond his twenty-fifth year; and the historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.
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Labels: T. S. Eliot