Agape Agape - pg. 15

"The biggest thrill in music is playing it yourself. It's your own participation that rouses your emotions most," whole thing breaks your heart, here's another. "Retains its artistic 'feel' indefinitely," goes back to the turn of the century before the player piano, when it was still the piano player, big thing you wheeled up to the piano same punched roll it played on the keys with wooden fingers, tiny felt-tipped wooden fingers playing Scarlatti, Bach, Haydn "and old Handel. Unhappy Schubert speaks to them in the sweet tones of Rosamunde. Beethoven, master of masters, thrills alike" right on to Chopin bemoaning the fate of Poland and breathing "the fiery valor of his countrymen in Polonaise" and here's Debussy and Grieg giving testimonials. "Many of the artists will never play again, but their phantom hands will live forever" there that's what it's about, no more wooden fingers byt phantom hands. "What stands between you and the music of the masters?"

2666 - pg. 683

Hoensch said that culture was a chain of links composed of heroic art and superstitious interpretations. The young scholar Popescu said culture was a symbol in the shape of a life buoy. The Baroness Von Zumpe said culture was essentially pleasure, anything that provided or bestowed pleasure, and the rest was just charlatanry.The SS officer said culture was the call of the blood, a call better heard by night than by day, and also, he said, a decoder of fate. General Von Berenberg said culture was Bach and that was enough for him. One of his general staff officers said  culture was Wagner and that was enoguh for him  too. The other general staff officer said culture was Goethe, and as the general had said, that was enough for him, sometimes more than enough. The life of a man is comparable only to the life of another man. The life of a man, he said, is only long enough to fully enjoy the works of another man.

Concert Music Buys

- The Fire Bird Igor Stravinsky
- Hungarian Rhapsodies - Franz Liszt
- Double Concerto for Oboe and Violin in D Minor - Johan Sebastian Bach

Song #157

Ten Songs, one solid block of agony,
I wrote for him, and then I wrote no more.
His sad ghost must aspire
free of my love to its own past, that ghost,
among its fellows, Mozart's, Bach's, Delmore's
free of its careful body

high in the shades which line the avenue
where I will gladly walk, beloved of one,
and listen to the Buddha.
His work downhill, I don't conceal from you,
ran and ran out. The brain shook as if stunned,
I hope he's over that,

flame may his glory in that other place,
for he was fond of fame, devoted to it,
and every first-rate soul
has sacrifices which it puts in play,
I hope he's sitting with his peers: sit, sit,
& recover & be whole.