(It's better to create than destroy what's unnecessary)

Showing posts with label Euripides. Show all posts
Showing posts with label Euripides. Show all posts

Monday, May 24, 2010

Helen - V:490

MENELAUS
What is this? Have there not been enough
troubles? Now on top of my old woes
I'm hearing of a brand new wretchedness.
I brought my wife here, taking her from Troy,
stowed her for safety in a cave nearby.
But there's another one, with the same name,
living in this house at the same time,
and Zeus' daughter was the porter's claim.
Can it be Zeus is a common name
in Egypt? No, there' one Zeus -- in the sky.
And where else in the world could Sparta be
except along Eurotas' reedy stream?
Could two men bear Tyndraeus' name?
Can any place exist synonymous
with Sparta or with Troy! I'm at a loss.
Yet is it so astounding, after all?
The world is big; therefore, identical
names for women, cities, men should be
common.

Helen - V:120

HELEN
Helen, you wretch, the Trojans died for you!

Helen - V:40

Leaving his mountain mangers, Paris came
to Sparta, where he thought that he could claim
his prize -- my bed. But Hera, whose defeat
enraged her, had contrived a trick to cheat
the prince, bestowing on him in my place
a breathing phantom shaped from nothingness.
Paris was sure he was embracing me;
it was an empty image, sheerest vanity.

Helen - Opening

HELEN
This is the river Nile, whose waters flow --
fed not by rain but gleaming melted snow --
through Egypt, where King Proteus held sway,
living on Pharos island. Psamatha,
one of the daughters of the Sea, he wed
after she left Aeacus' marriage bed.

Suppliant Women - Closing

THESEUS
Athena, queen,I'll do as you direct me.
You steady me, keep me from going awry.
This man I'll blind with an oath. I only ask now:
Keep me on course. Look favorably on our city.
And then we'll manage safely for all time.

CHORUS
So, Adrastus, let's leave, having made our vow
to this man and his town. Those who've done so much
deserve our respect and compliance.

Suppliant Women - V:620

HALF-CHORUS A
I wish words won the day. If not, the dead
in fields of blood! Beating of breasts! And city-wide
the sounds of grief! I'll be to blame! What bitter words
will shrill their guilt and rage in my ear?

Suppliant Women - V:420

THESEUS
You're off to a bad start stranger. A slur, I take it,
when you talk of "monarch" here. Our city's free.
There's no one person rules it. The city itself
is its own ruler, with all taking part in annual
rotation, so that no rich man gets to hog
more than his share. The poor have a say as well.

THEBAN HERALD
Aha! That gives me a leg up in the game.
Now take the city I come from: one man,
and I mean one man is in charge, not just some mob.
No rabble-rouser full of hot-air can twist,
for private gain, our policy every which way,
charming, no doubt, at the moment, making friends,
though there's hell to pay as a consequence. Smear tactics
conceal the scandals and your crook goes free.
Besides, unless the speaker level with them,
how can your people know enough to manage?
Weighing things soberly gives a better perspective
than snap decisions. For example, your poor father --
just assuming he's not a lunkhead -- has no time,
with all of that heavy lifting, to think politics.
It's nauseating for the abler citizens when some no-goodnick scrabbles his way to the top
by his gift of gab -- to the top! a former nobody!

Suppliant Women - V:210

My homage goes to the god who out of chaos
and brutishness plotted the orderly world we live in,
first giving us thought, then a tongue that turned that thought
into airy words that the ears could catch and fathom.
Next, gave us fruit and grain; for its cultivation
sent falling rain from heaven for thirsty earth
and its thirsty people. Besides, gave means of warmth
against the winter, protection from summer's heat.
Then taught us to ply the sea with oar and sail
in commerce, exchanging our surplus for our dearth.
For what's mysterious, past our understanding,
we've prophets to read the riddles: they study flames,
pore over twisted entrails, watch the birds.
Then aren't they finicky folk who cry "Too little!"
given all that providence has supplied us with?
But we, ion our arrogant drive to be more than gods
arrive at so heady a pitch of self-conceit
that we tell ourselves we're wiser than heaven itself.

Suupliant Women - Opening

CHORUS
Strophe

At your feet now, O revered one,
as we kneel here, who are old too,
supplicating you: secure
the release of our dead children's remains
that are left scattered in limb-slackening death
by the wicked, as obscene food for the wild beasts of the hills.

Hippolytus - V:1490

CHORUS
Down on the city
strokes without warning:
all's desolation.
Rain down, O flowing
tears of our mourning.
Death of a great one
wails among nations.
(Curtain.)

Hippolytus - V:1460

Now, son of Aegeus, enfold him, your dear child,
close in your arms. Though you killed him, you're guiltless.
Terrible deeds that the gods may accomplish,
using you: no man's responsible for them.

Hippolytus - V:1360

ARTEMIS
Your deeds have been dreadful;
but it is also possible we will forgive you.
Cypris has willed all these vile actions
spitefully. Gods have the following custom:
No god dares interfere with the actions
taken by others among the immortals.
All stand aside when a plot's undertaken.
You maybe sure, Had I not feared dread Zeus,
never would I have endured such shame: the
death of him dearest to me among mortals.
Agony, forced to look on and do nothing!
So you were ignorant. That may excuse you.
It was impossible for you to test her,
and you believed. How troublesome death is!
So you have suffered ... but I grieve also.
Death of the innocent brings no pleasure
to the immortals; we only delight in
wrecking the wicked, their houses, their children.

Electra - Closing

CHORUS
Farewell. The mortal life that does well,
that never meets misfortune,
is a life most truly blessed.

Sunday, May 23, 2010

Electra - Opening

PEASANT
Ah, old Argos ... Once, King Agamemnon
sailed from these streams of Inachus,
his thousand galleys bound for Troy.
And when he had slain their king Priam
and sacked that glorious Ilian city, he
returned to Argos and filled its lofty shrines
with countless Barbarian treasures.



Tuesday, April 6, 2010

Hippolytus - V:920

THESEUS
Men are such fools! Work, labor -- for what, then?
Numberless crafts that they teach each other;
twist and invent and discover; but one thing
always, it seems, will elude them, the cure for
all these clever accomplishments: wisdom.

Hippolytus - V:810

CHORUS
Unlucky woman, you endured;
your life, a dynasty's destruction;
your death, a deed unsanctioned.
You wrestled with yourself and lost.
We gaze, and do we see in you
the divine power that brought this darkness?

Hippolytus - V:620

HIPPOLYTUS
Great Zeus, why on this earth is there room for
women, that counterfeit version of mankind?
Why, if you needed to propagate people,
couldn't we go to your temples and buy them?
Why must we labor and sweat upon females?
We could pay pieces of gold or of silver,
bronze, lead, iron to pay for our offspring, charging the poor dads less than the rich ones,
everyone happily dwelling in houses
blissfully free of detestable females.
Now, as it is, what happens? The banes come
home with us, burdening, costing us dearly.
Positive proof that women are baneful's
this: that the father who got one and raised her
pays out more money, pays out a dowry,
just to be free of her after his trouble.

Sunday, April 4, 2010

Hippolytus - Opening

translated by Richard Moore

APHRODITE
Everyone knows me. I'm Cyprid, the goddess.
Sex and desire, my specialties, draw men
helpless from Pontus to Heracles' Pillars.
Those that delight in me, I can reward them;
those that detest me will harvest my hatred.
Even immortals get caught in my soft snares.
Goddesses love it when worshipers gather.

Copyright 1998 University of Pennsylvania Press
All rights reserved
Printed in the United States of America on acid-free paper

Published by
University of Pennsylvania Pree
Philadelphia, Pennsylvania 19104-4011

Euripides, 2

Hippolytus, Suppliant Women,
Helen, Electra, Cyclops

Edited by
David R. Slavitt and Palmer Bovie

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