And yet we like it because it is so economical. Its bare, honest, true. So we like it, just like we gravitate to an open person regardless of whether she is dumb. I appreciate Bresson for this, his economy which blesses the viewer with a mind that necessarily filters what we see. But Bresson goes too far and presses into the impress of abstraction. Malle is real because it is overtly untheatrical.
Tuesday, June 19, 2007
Quote: TedG FilmsFolded.com
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