Between granary and mock farmhouse, and beyond the manor wall, was the church. To me in the beginning a church was a church, something built in a particular way, with windows of a particular shape: ideas given me by the Victorian Gothic churches I had seen in Trinidad. But I had that village church before my eyes every day; and quite soon -- this new world shaping itself about me in my lucky solitude -- I saw that the church was restored and architecturally was as artificial as the farmhouse. Once that was seen, it was seen; the church radiated its own mood, the mood of its Victorian-Edwardian restorers. I saw the church not as 'church', but as part of the wealth and security of Victorian-Edwardian times. It was like the manor to which my cottage was attached; like many of the other big houses around.
(It's better to create than destroy what's unnecessary)
Tuesday, August 10, 2010
The Enigma Of Arrival - pg. 49
Labels: Vidiadhar Surajprasad Naipaul
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