The outside shutters were almost closed on the narrow balcony, but sounds came up from Alphonso del Gato, the sound of voices and a barrel organ somewhere in the lame joy of some indistinguishable tune, through the shutters and the imposition of joy in the red-figured drapes that hung there motionless. Before him the mirrors, from the one tall and narrow mounted in the armoire to the small square one over the one-spigot washstand, and back, embraced one another's images, as the rain took up against the shutters, and reached the glass, and he stood there, chilled, his memory frantic for something precious left out in the rain, or a window left open, the rain pounding in, in the dark, engulfing a consciousness alert now in all the sudden perspicacity of terror, deepening round it, so that it seems to have been falling all the time: sounds came from a great distance, a strange city, in a foreign land, and the sense, he'd just been put down here this instant, alone, and for the first time, engulfed in the sense of something lost. He spun around on his feet, to confront who had come in the door behind him, but he saw no one there. He stood, off balance but still for a moment, and then he moved sidling toward the door, as though she were waiting for him to get out before she could enter, and once at the door he left like a crowd leaving, and the door open behind him.
(It's better to create than destroy what's unnecessary)
Sunday, July 22, 2007
The Recognitions - pg. 821
Labels: William Gaddis
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