(It's better to create than destroy what's unnecessary)

Sunday, September 28, 2008

The High Window - pg. 5

I went in. The room beyond was large and square and sunken and cool and had the restful atmosphere of a funeral chapel and something the same smell. Tapestry on the blank roughened stucoo walls, iron grilles imitating balconies outside high side windows, heavy carved chairs with plush seats and tapestry backs and tarnished gilt tassels hanging down their sides. At the back a stained-glass window about the size of a tennis court. Curtained french doors underneath it. An old musty, fusty, narrow-minded, clean and bitter room. It didn't look as if anybody ever sat in it or would ever want to. Marble-topped tables with crooked legs, gilt clocks, pieces of small statuary in two colors of marble. A lot of junk that would take a week to dust. A lot of money, and all wasted. Thirty years before, in the wealthy close-mouthed provincial town Pasadena, then was, it must have seemed like quite a room.

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